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Minute 19:55 :o) Danke
Do you want to practice German as a foreign language with Mozart? A project about Mozart's years in Vienna. Can be integrated with live music.
Variations in the play: Shadow theatre, Spoken theatre, Musical theatre
Möchtest du Deutsch als Fremdsprache mit Mozart üben?
Ein Projekt über Mozarts Jahre in Wien. Kann mit Live-Musik kombiniert werden.
Schattentheater, Sprechtheater, Musiktheater
"Mozart und Ich in Wien" / “Mozart and Me in Vienna”
ab der 7 Schulstufe / starting from Year 7
Bühnenadaption eines Bilderbuchs
Figurentheater, Schattentheater, Sprechtheater
Adaptation of a picture book for the stage
Theater technique: puppet theater, shadow theater, spoken theater.
(c) Papperlapapp Verlag
LILI draws DUNKEL
(c) Papperlapapp Verlag
Bühnenadaption eines Bilderbuchs
Adaptation of a picture book for the stage
Theater technique: puppet theater, shadow theater, spoken theater.
Topic: Dinosaurs / NHM- Natural history museum Vienna
(c) Papperlapapp Verlag
Bühnenadaption eines Bilderbuchs
Language practice through bee dance and puppet theater
Puppetry: Rebekah Wild
Supported by: Barbara Kriegl, Fidl Fadn
OeAD Culture connected project, BMBWF
(c) Instagram Büchereien Wien, (c) Melanie Laib, (c) Papperlapapp Verlag
(c)Instagram Papperlapapp
PROJEKTBESCHREIBUNG :
The Power of the Puppet
Die Kraft der Theaterpuppe
„The Power of the Puppet“, 118 Seiten, wurde 2012 herausgegeben von der Kommission „Puppets in Education, Development and Therapy“ (EDT) der Union Internationale de la Marionnette (UNIMA*).
Redaktion: Livija Kroflin Sprache der Veröffentlichung: Englisch Übersetzung ins Deutsche: Barbara Scheel, 2012 *)
Die UNIMA ist eine Non-Profit-Organisation, die weltweit in fast 100 Ländern Menschen vereinigt, die sich für Puppenspiel einsetzen. Weitere Informationen – auch zu den Zentren in den einzelnen Ländern – unter www.UNIMA.org
(c) Melanie Laibl
The UNIMA, UNION INTERNATIONAL DE LA MARIONETTE
The power of the puppet shows itself in diverse fields: not only in the puppet theatres, not only in rituals and magical spells, but also in the broad range of education and therapy. This has also been recognised by the international puppetry organisation – UNIMA- and the Puppets in Education, Development and Therapy. (Kroflin 2012: 7)
From the Book:
Livija Kroflin Präsidentin der EDT-Kommission der UNIMA*
The Power of the Puppet Editor: The UNIMA* Puppets in Education, Development and Therapy Commission, UNIMA, 2012, ISBN 987-953-96856-6-7.
Übersetzung aus dem Englischen: Barbara Scheel, 2012 * Union Internationale de la Marionnette
When a child identifies with a stage puppet and speaks in its name, his speech becomes spontaneously natural and expressive and the child is inspired by the puppet to change its sound according to the character and the mood of the personages (Pokrivka 1980: 48, in: Kroflin 2012: 49).
The puppet provides the child a kind of cover, behind which he/she can hide. So a timid child can also find motivation to speak (...). Hence, the puppet helps the child to communicate much more spontaneously (...). The puppet is an authority, selected by the child himself. (...) Since a child is not able exactly to express directly in words all his feelings, puppet
heroes help him in finding the words and even more: another point of view. Additionally, children who are accustomed to use puppets in their everyday conversations, have richer vocabulary (...) (Majaron 2002: 61, in: Kroflin 2012: 49).
Book translation
" El bote pequeño " (The Little Boat) from Tatjana Jedriško Pančelat.
The translation of the book was created during my “Paradisolation” in March 2020. A joint translation project with Chiara Schiavon.
http://www.ideadestroyingmuros.info/
The fairy tale takes place in the Kvarner Bay (Rijeka). If you would like to purchase the book, please contact me.